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  • THE LOG
  • Reviewed Films
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Andrew McCardle

  • Welcome
  • Shorts
  • VIDEO
  • THE LOG
  • Reviewed Films
  • contact
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Reviewed Films


The Lists

The films by year

directors


Feature:

The 50 Essential Films

Ingmar Bergman’s Cinema

Recent viewings:

The Big Heat (1953)

Mulholland Dr. (2001)

Megalopolis (2024)

Maestro (2023)

Lawrence of Arabia (1962)

Teorema (1968)

The Shape of Night (1964)

Last Year at Marienbad (1961)

Through a Glass Darkly (1961)

The Chase (1946)

The Irishman (2019)

Alphaville (1965)

Cleo from 5 to 7 (1962)

McCabe & Mrs.Miller (1971)

La Dolce Vita (1960)

Hiroshima mon Amour (1959)

PlayTime (1967)

Roma (1972)

Stalker (1979)

The Favourite (2018)

The Other Side of the Wind (2018)

Roma (2018)

Pierrot le Fou (1965)

Oh, Woe is Me (1993)

Witness for the Prosecution (1957)

Valerie and Her Week of Wonders (1970)

A Film Like Any Other (1968)

Persona (1966)

2001: A Space Odyssey (1968)

Vertigo (1958)

Man with a Movie Camera (1929)

Love Streams (1984)

The Umbrellas of Cherbourg (1964)

Cosmos (2015)

The Shape of Water (2017)

The Discreet Charm of the Bourgeoisie (1972)

Johnny Guitar (1954)

Rope (1948)

Phantom Thread (2017)

The Florida Project (2017)

Wonder Wheel (2017)

Mother! (2017)

A Place in the Sun (1951)

L'Avventura (1960)

The Searchers (1956)

Vice and Virtue (1963)

Cleopatra (1934)

Cruel Story of Youth (1960)

The Third Man (1949)

The Assassin (2015)

Pather Panchali (1955)

Son of Saul (2015)

Silence (2016)

Nashville (1975)

Beyond the Valley of the Dolls (1970)

Body Double (1984)

The Enigma of Kaspar Hauser (1974)

I Married a Witch (1942)

The Long Goodbye (1973)

Scarlet Street (1945)

Pandora’s Box (1929)

History is Made at Night (1937)

Remember the Night (1940)

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  • The Films By Year

The aim is to curate, but also to add a context, a narrative to the evolution of the visual language; a universal method of communication that plays across cultures and divides, communication with symbols and visual cues. What separates photography and cinema from the previous visual mediums is their ability to take control of the eye, crafting a surrogate field of vision, the act of seeing through another's lens. Here we will detail the vocabulary, grammar and greatest works of a language that is able to speak in abstract concepts and emotions just as easily as I type these words. 

andrewmccardlefilms@gmail.com